[vc_row][vc_column][vc_column_text]<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_video link=”https:\/\/vimeo.com\/422393818″][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]Dance performance on canvas, oil paints, 2020<\/p>\n
Deconstruction of the body is an art installation and a performance that questions the work of many artists, including Yves Klein in mistreatment and misuse of the models. In 1960 Yves Klein created a series called \u201cAnthropometry\u201d; for the artworks models covered themselves in paint and dragged each other on the canvases that were laid on the floor, while Yves Klein and a few other men watched \u201cthe performance\u201d. None of the models were paid for their job, while Yves Klein became a sensation.<\/p>\n
The installation mocks the art elite and questions as to who the actual creator of the art is: the model covered in paint or the artist. The artist covers herself fully in paint, while dancing on the canvas, using her body as the brushes.<\/p>\n
The mistreatment and misuse of the models in contemporary arts need to change: they deserve to be paid for their labour and to be recognised as the important influence of the artwork.<\/p>\n
The performance and the final art result were presented at the Beta Space in Espoo Finland, during contemporary artists group exhibition, Vitamin D, from 3 to 11 of March 2020. Special thanks to Hanna Saarikoski and Kristina Jansson for the curation and helping producing the performance.<\/p>\n
Photos and video recording by Po Alamaa.[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text]Mirya Nezvitskaya <\/strong>New Media Design and Production Mirya Nezvitskaya<\/p>\n","protected":false},"author":2,"featured_media":3369,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[]},"portfolio_category":[27],"portfolio_tag":[],"_links":{"self":[{"href":"https:\/\/sites2.org.aalto.fi\/medialabdemodays_old\/wp-json\/wp\/v2\/portfolio\/3077"}],"collection":[{"href":"https:\/\/sites2.org.aalto.fi\/medialabdemodays_old\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/sites2.org.aalto.fi\/medialabdemodays_old\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/sites2.org.aalto.fi\/medialabdemodays_old\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sites2.org.aalto.fi\/medialabdemodays_old\/wp-json\/wp\/v2\/comments?post=3077"}],"version-history":[{"count":8,"href":"https:\/\/sites2.org.aalto.fi\/medialabdemodays_old\/wp-json\/wp\/v2\/portfolio\/3077\/revisions"}],"predecessor-version":[{"id":3374,"href":"https:\/\/sites2.org.aalto.fi\/medialabdemodays_old\/wp-json\/wp\/v2\/portfolio\/3077\/revisions\/3374"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites2.org.aalto.fi\/medialabdemodays_old\/wp-json\/wp\/v2\/media\/3369"}],"wp:attachment":[{"href":"https:\/\/sites2.org.aalto.fi\/medialabdemodays_old\/wp-json\/wp\/v2\/media?parent=3077"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/sites2.org.aalto.fi\/medialabdemodays_old\/wp-json\/wp\/v2\/portfolio_category?post=3077"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/sites2.org.aalto.fi\/medialabdemodays_old\/wp-json\/wp\/v2\/portfolio_tag?post=3077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_video link=”https:\/\/vimeo.com\/422398443″][\/vc_column][\/vc_row][vc_row][vc_column][vc_gallery type=”image_grid” images=”3370,3371″ img_size=”large”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"